Perlman, Ken

Zone d'identification

Type d'entité

Personne

Forme autorisée du nom

Perlman, Ken

Forme(s) parallèle(s) du nom

Forme(s) du nom normalisée(s) selon d'autres conventions

Autre(s) forme(s) du nom

Numéro d'immatriculation des collectivités

Zone de description

Dates d'existence

b. 1949

Historique

Ken Perlman was born in New York City, New York, in 1949 to Harry Perlman and Mary Bransky Perlman. He grew up in New York and attended Francis Lewis High School and Cornell University. In the late 1980s, Perlman completed a Master of Music degree with an Ethnomusicology specialty from Brown University.

Perlman is an accomplished banjo and finger-style guitar player and is considered a pioneer of the five-string banjo style known as the "melodic clawhammer". Perlman's influences include the traditional music of Scotland, Ireland, Cape Breton, Prince Edward Island, and the American South. He has released six albums to date, and has written several banjo and guitar instruction books. Perlman has also served on the staff of various teaching festivals.

In addition to being a professional musician, Perlman is also an active folklorist, and has spent several years studying traditional fiddle playing on Prince Edward Island. During the summer of 1989, Perlman was staying with Dan Gillis in Fairfield, PEI when he attended the local "Monticello Tea Party" town day. He met several fiddlers at this event who in turn introduced him to other Island fiddle players. Within a matter of days, Perlman had met several fiddlers from all across the Island and was highly impressed by the quality of their playing.

In 1991, Perlman received a grant from the Massachusetts-based Earthwatch Organization to collect and record musical performances and oral histories of Island fiddle players. During the summers of 1991 and 1992, he traveled across the Island with a group of volunteers, creating audio and video recordings of interviews with local "old time" fiddlers. Perlman and his volunteers also attended and filmed local fiddle festivals, ceilidhs, and house parties as part of their study of the PEI fiddle culture.

Perlman's study of traditional Island fiddling has resulted in several major projects. In 1993, he produced a booklet and accompanying audio cassette entitled The Old Time Fiddlers of Prince Edward Island (Crown Point, IN: Marimac Recordings, 1993). In 1996, he published a tune book entitled The Fiddle Music of Prince Edward Island: Celtic and Acadian Tunes in Living Tradition (Pacific, MO: Mel Bay Publications, 1996). This book contains transcriptions of over 425 tunes performed by 60 Island fiddle players recorded during the summers of 1991 and 1992. In 1997, he released The Prince Edward Island Style of Fiddling (Rounder Records, 1997), a two CD collection of Island fiddling recorded during an eight-day period in the fall of 1996. In 1997 and 1998, Perlman received publishing awards from the PEI Museum and Heritage Foundation for his active work in preserving and promoting Island culture. Perlman has also published several articles related to his Island fiddle research in both Canada and the United States. His passion for traditional Island fiddle tunes can also be seen in his own commercial recordings, particularly Northern Banjo (Copper Creek Records, 2001), Island Boy (Wizmak Recordings, 1996), and Devil in the Kitchen (Marimac Music, ca. 1994), which feature traditional PEI and Cape Breton fiddle tunes arranged for banjo.

Perlman lives in Leominster, Massachusetts.

Lieux

Statut juridique

Fonctions et activités

Textes de référence

Organisation interne/Généalogie

Contexte général

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Zone du contrôle

Identifiant de la description

Identifiant du service responsable de la description

Règles et/ou conventions utilisées

RAD 22.1B; 22.12A

Niveau d'élaboration

Niveau de détail

Dates de production, de révision et de suppression

13 December 2005. Copied from PEIAIN 22 April 2015.

Langue(s)

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Sources

S1994001

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